I had the opportunity not only to develop the FX setup for the fracturing and disintegration, but also to contribute to its conceptual design.
I was responsible for developing the FX setup and executing the shot, which was finalized by Omar Velazquez Munoz.
FX Smoke Pull.
I had the opportunity to work on 1899, Season 1, at Framestore Montreal. It was an incredible experience collaborating with such a talented team, including VFX supervisors Joao Sita and Christian Kaestner, FX supervisor Kevin Browne, and FX lead Phoenix Lee.
Being part of this project allowed me to contribute to a visually rich and atmospheric world, alongside artists and supervisors whose expertise and creativity continuously pushed the work to a higher level. It was a rewarding experience to be involved in bringing this complex and visually striking series to life.